For this article, the authors retrieved two curious cases of nonconformist TV from the archives of The Netherlands Institute of Sound and Vision. Being made in the late 1970s and early 1980s, the two cases represent an alternative history of broadcast television in the Netherlands. Whereas Neon (1979-1980) aimed to establish a punk-inspired DIY video culture, Ed van der Elsken (1980, 1981) strived for an expressive amateur film culture. The authors propose to regarded these cases as two different experiments of participation in and through media. By conceptualising amateur film and video as counter-technologies, the discursive expectations around their democratic potential can be explored further.

Additional Metadata
Keywords counter-technologies, alternative media history, media participation, democratization, broadcast television, amateur film and video, punk project, personal cinema
Publisher Netherlands Institute for Sound and Vision
Journal VIEW Journal
Rights Each article is copyrighted © by its author(s) and is published under license from the author(s). When a paper is accepted for publication, authors will be requested to agree with the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Netherlands License.
Note VIEW Journal of European Television History and Culture; Vol 4, No 7 (2015): Archaeologies of Tele-Visions and -Realities; 21-37
Citation
Slootweg, Tom, & Aasman, Susan. (2015). Nonconformist Television in the Netherlands: Two Curious Cases of Amateur Media as Counter-Technologies. VIEW Journal, 4(7), 21–37.

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