This paper examines two major Israeli historic-documentary television series, Pillar of Fire (POF), product of the 1970's, and Revival (RL), product of the 1990's.The series deal with the Zionist enterprise and its realization. The research applies Gerard Genette's central narratological typology to the series' temporal structures, through the categories of Order, Duration and Frequency. Findings show that while POF's classic, linear, , historicist structure serves its celebration of the Zionist narrative, RL employs a unique, complex  , multi-dimensional structure, which enables its historical multivocality, and supports its critical presentation of the cyclical Arab-Israeli Conflict and revisionism of Israeli history.

Additional Metadata
Keywords Israel, television history, Pillar of Fire, Revival, documentary, series
Publisher Netherlands Institute for Sound and Vision
Journal VIEW Journal
Rights Each article is copyrighted © by its author(s) and is published under license from the author(s).When a paper is accepted for publication, authors will be requested to agree with the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Netherlands License
Note VIEW Journal of European Television History and Culture; Vol 2, No 3 (2013): European Television Memories; 99-106
Citation
Garami, Bosmat. (2013). Chronology and Ideology. Temporal Structuring in Israeli Historical Documentary Series. VIEW Journal, 2(3), 99–106.

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