This article constructs a transmedia topology of the Making a Murderer text, demonstrating influences of various forms of documentary, interactive gaming culture, and post-digital writing on the series itself as well as on the paratextual cloud of works that grew up around it. Here we define transmedia topology as a tracing of what we could call the geography of the text, as defined by its features and boundaries (or lack thereof). We will discuss the intentionality of the series creators, as well as the emergence of a transmedial textuality that is owed largely to audiences and the textual terrain. The Making a Murderer series thus becomes the basis for a larger transmedia narrative that sprawls across social-digital networks, a pastiche of multifarious public reaction and unsanctioned investigation.The article maps the ecologies of interaction, participation and creation with and of the text by the audience to map the thresholds of the transmedial text and investigate new approaches to analysing transmedial work in the context of non-fiction media forms.

Additional Metadata
Keywords Transmedia, Making a Murderer, Textual Analysis, Complex TV, Paratextual Analysis
Publisher Netherlands Institute for Sound and Vision
Journal VIEW Journal
Rights Each article is copyrighted © by its author(s) and is published under license from the author(s). When a paper is accepted for publication, authors will be requested to agree with the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Netherlands License.
Note VIEW Journal of European Television History and Culture; Vol 5, No 10 (2016): Non-fiction Transmedia; 124-139
Citation
Hook, Alan, Barrios-O'Neill, Danielle, & Mairs Dyer, Jolene. (2016). A Transmedia Topology of 'Making a Murderer'. VIEW Journal, 5(10), 124–139.

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