Over the last years, interactive digital media have greatly affected the logics of production, exhibition and reception of non-fiction audiovisual works, leading to the emergence of a new area called ‘interactive and transmedia non-fiction’. Whilethe audiovisual non-fiction field has been partially studied, a few years ago emerged a new field focusing on interactive and transmedia non-fiction narratives, an unexplored territory that needs new theories and taxonomies to differentiate from its audiovisual counterpart.
|Publisher||Netherlands Institute for Sound and Vision|
|Rights||Each article is copyrighted © by its author(s) and is published under license from the author(s). When a paper is accepted for publication, authors will be requested to agree with the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Netherlands License.|
|Note||VIEW Journal of European Television History and Culture; Vol 5, No 10 (2016): Non-fiction Transmedia; 1-3|
Gifreu-Castells, Arnau, Misek, Richard, & Verbruggen, Erwin. (2016). Editorial. VIEW Journal, 5(10), 1–3.
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