In this article, television is reconsidered as a hybrid ‘repertoire’ of memory. It is demonstrated how new dynamic production and scheduling practices in connection with highly accessible and participatory forms of user engagement offer opportunities for television users to engage with the past, and how such practices affect television as a practice of memory. The media platform Holland Doc is discussed as a principal case study. By adopting and expanding Aleida Assmann’s model of the dynamics of cultural memory between remembering and forgetting, a new model to study television as cultural memory is proposed which represents the medium’s hybridity in the multi-platform era.

television in transition, cultural memory, hybridity, repertoire, scheduling, digital thematic channel, multi-platform
Netherlands Institute for Sound and Vision
dx.doi.org/10.18146/2213-0969.2013.jethc032
VIEW Journal
Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)
VIEW Journal of European Television History and Culture; Vol 2, No 3 (2013); 52-64

Hagedoorn, Berber. (2013). Television as a Hybrid Repertoire of Memory: New Dynamic Practices of Cultural Memory in the Multi-Platform Era. VIEW Journal, 2(3), 52–64. doi:10.18146/2213-0969.2013.jethc032