Wie wat bewaart, die heeft wat. De vraag is niet langer wie bewaart, want er is eindelijk een nationaal archief voor audiovisueel materiaal: het Nederlands Audiovisueel Archief, NAA. De actuele vraag is: wat moet en kan het NAA be- waren? Beleidsmakers, archiefbeheerders, producenten, omroepen en gebruikers worstelen al lang met richtlijnen voor een antwoord op de vraag welk materiaal de kosten en moeite van het bewaren waard is. Een chronologisch overzicht van de ontwikkelingen.---- Question of Choice. Acquisition and selection of the national audiovisual collectionSince the Netherlands finally set up its own national AV archive, a key question has been what should and can this Netherlands Audio-Visual Archive conserve. Policy-makers, archive managers, producers, broadcasting companies and users have been struggling for some time with guidelines for an answer to the question of which material is worth the cost and trouble of conserving. In his article, Piet van Wijk, former director of the Netherlands Audio-Visual Archive, sketches an anecdotal and undoubtedly subjective account of how archiving film and television (and, to a lesser extent, sound), became a hot item in the mid eighties. Which needs, shortcomings and requirements were identified? What were the solutions provided? And, most of all, what were the consequences for the daily practice of AV archiving - did increased attention for the subject in the eighties actually lead to 'better coordinated' or 'more responsible' archiving?

Additional Metadata
Keywords audiovisal archiving
Publisher Netherlands Institute for Sound and Vision
Persistent URL dx.doi.org/10.18146/tmg.478
Journal Tijdschrift voor Mediageschiedenis
Rights Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Note TMG Journal for Media History; Vol 3, No 2 (2000): Audiovisuele archivering; 7-34
Citation
van Wijk, Piet. (2000). Een kwestie van kiezen. Acquisitie en selectie van nationale audiovisuele collectie. Tijdschrift voor Mediageschiedenis, 3(2), 7–34. doi:10.18146/tmg.478