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Bosma, Peter

2015-02-06

Eliso (1928) en het netwerk van Nederlandse poortwachters bij de vertoning van zwijgende films met muzikale begeleiding

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Publication

TMG Journal for Media History , Volume 11 - Issue 1 p. 4- 21

Zwijgende films hebben een imagoprobleem. Ze zijn onbekend en onbemind; er bestaat weinig spontane vraag naar voorstellingen van zwijgende films met live muzikale begeleiding. In dit artikel wil ik de processen van selectie en reputatievorming in dit specifieke deel van het filmerfgoed behandelen. Maar het lijkt verstandig te beginnen met een korte verdediging van de relevantie van de vertoning van zwijgende film.

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Publisher Netherlands Institute for Sound and Vision
Persistent URL doi.org/10.18146/tmg.170
Journal TMG Journal for Media History
Rights Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Note TMG Journal for Media History; Vol 11, No 1 (2008); 4-21
Citation
Bosma, Peter. (2015). Eliso (1928) en het netwerk van Nederlandse poortwachters bij de vertoning van zwijgende films met muzikale begeleiding. TMG Journal for Media History, 11(1), 4–21. doi:10.18146/tmg.170
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