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Hogenkamp, Bert

2017-06-26

De opkomst, bloei en ondergang van het videojournaal

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Tijdschrift voor Mediageschiedenis , Volume 20 - Issue 1 p. 122- 140

Wat betekende de komst van video in de jaren zeventig en tachtig voor de opdrachtsector in Nederland? Wie profiteerden ervan en wie waren de verliezers? In dit artikel wordt gekeken hoe de introductie ervan verliep.

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Publisher Netherlands Institute for Sound and Vision
Persistent URL doi.org/10.18146/2213-7653.2017.284
Journal Tijdschrift voor Mediageschiedenis
Rights Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
Note TMG Journal for Media History; Vol 20, No 1 (2017); 122-140
Citation
Hogenkamp, Bert. (2017). De opkomst, bloei en ondergang van het videojournaal. Tijdschrift voor Mediageschiedenis, 20(1), 122–140. doi:10.18146/2213-7653.2017.284
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