If Content is King, Context is its Crown
The future of television—if former Google CEO Eric Schmidt has his way—will use computational modes to attract viewers, structure results, contextual queries and/or evolving viewing patterns within an emerging televisual datascape. Departing from Schmidt's recent MacTaggart lecture this article tries to track the coded consequences of TV as data, not the least from an audiovisual heritage perspective.
|Keywords||search modalities, computation, YouTube, digital TV, media archive, televisual data, Google|
|Publisher||Netherlands Institute for Sound and Vision|
|Rights||Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).|
|Note||VIEW Journal of European Television History and Culture; Vol 1, No 1 (2012); 34-39|
Snickars, Pelle. (2012). If Content is King, Context is its Crown. VIEW Journal, 1(1), 34–39. doi:10.18146/2213-0969.2012.jethc006