The work of German scholar Wolfgang Ernst has become increasingly influential within media archaeology. Ernst has sought to define a border between the field and traditional media history, arguing that media archaeologists should focus on the study of technological artefacts and processes. He places significant stress on the importance of media archives yet his approach to such institutions is primarily theoretical. Meanwhile, the theoretical basis for some types of media archive research is somewhat lacking. This raises the possibility of whether cross-pollination between media archaeology and these fields might prove mutually beneficial. This paper examines aspects of Ernst’s writings alongside material from a recent archival project focused on a Northern Irish television series to provide an overview of the possibilities.

media archaeology, Wolfgang Ernst, Northern Ireland, missing programmes, archival studies, Counterpoint, Ulster Television (UTV)
Netherlands Institute for Sound and Vision
VIEW Journal
Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)
VIEW Journal of European Television History and Culture; Vol 4, No 7 (2015); 11-20

Griffin, Ken. (2015). The Lessons of Counterpoint: Wolfgang Ernst’s Media Archaeology and Practical Archival Research. VIEW Journal, 4(7), 11–20. doi:10.18146/2213-0969.2015.jethc078